I see red by Mario Mirabile

I wrote last week that I was interested in the photographic prospects offered by the Melbourne Immigration Museum. I've been back on a couple of occasions since and explored the grounds and buildings. While the museum itself is a fascinating commemoration of those who came across the water to build the country we know, the most interesting part for me is the Tribute Garden. Here the names of thousands of immigrants are inscribed on steel plaques or embossed in the gently rippling pools.

The strong geometric patterns of the garden offers a wealth of interesting possibilities, but the tones are almost monochromatic, particularly on a dull late autumn day. What I really wanted in the frame was a splash of colour - red if at all possible. Red is such a vibrant tone, the colour of fire and passion, and just a little can transform an image. I must confess that I dropped the red leaves into the pool, but the lady walking down the steps was a far more difficult scene to capture.

I really liked the simple geometry of the plaque surrounded staircase leading down from the street to the path between the pools, but it needed a person walking down to complete the picture I had in my mind. I waited for someone to descend, but the only people who did were invariably dressed in black from head to foot, and virtually disappeared into the gloom. I finally decided my only course of action was to recruit a willing volunteer, so I ascended the steps, steeled my resolve, and waited for someone wearing something other than black to pass. It wasn't until my third return visit that I succeeded in finding a willing participant, and serendipitously, she was wearing red. Sometimes, perseverance pays off.

Footy fever by Mario Mirabile

Did I mention it was footy season? I probably did, but it's the sort of thing that bears repeating. Melbourne (and Victoria generally) is the home of Australian football. It was invented here and is firmly ingrained in the local culture. Week after week the faithful turn up in the hope that their team will reward their loyalty with a win, even when their team has not tasted the ultimate success for more than 50 years, the passion runs deep.

Club allegiances start young, usually last for life and can be expressed in the most outrageous ways.  But no matter how you choose to express your passion, it's the game that draws us. While today's game didn't rise to any great heights as a spectacle, and in the end was too close for comfort, at least Geelong came away with the win and sent me home happy.

Random thoughts by Mario Mirabile

No theme today. I had an errand to run in the city, so afterwards I just wandered back toward work, poking my nose here and there, snapping almost at random. I did make a point of visiting the memorial at the Immigration Museum that Jason stumbled upon earlier this week, and I confess that wide shot of the pools and wall is a blatant rip-off of one of his. This looks to be an interesting spot, and one that I'll return to and spend a bit of time exploring.

Flower power by Mario Mirabile

I used to photograph flowers a lot when I first got a DSLR because they were easy targets. Not necessarily easy to photograph - they can in fact be complex and difficult subjects - but they were patient and pretty, and didn't complain if you pointed a camera at them. I learnt a lot shooting flowers, including some of the more subtle aspects of focusing and exposure, and even complex techniques like focus stacking.

I try to keep my hand in, not least because I need a dozen or so images for the calendar I produce each year as a Christmas present for friends and family. The challenge is to produce images that rise above the simple snapshot. A macro lens (like my beautiful Olympus 50mm f2.0) helps to reveal the hidden beauty of even the simplest blooms, but you don't always have to get close. Some blooms, like this orchid, have an elegance of form which would be lost if you got too close.

I don't do it as often as I used to, perhaps because I'm not as reticent as I used to be about taking my camera into the world beyond my back yard. I think the turning point came when podcaster Jim Harmer made the observation that there are photographers famous for shooting people, landscapes, and any number of other subjects, but not flowers. While I'm not necessarily seeking fame through a lens, there's no point making it any more difficult than it needs to be. 

Line up by Mario Mirabile

Lines, be they straight or curved, real or implied, can be strong elements in an image. They can serve to focus the viewers attention on the main subject, provide depth and perspective, lead the eye around the various components of an image, or even be the primary element. Careless use can also drag the viewer's eye to the edge of the photo and beyond in search of something interesting to look at. Their use can be cliched, but they can create interesting relationships between the various elements in a photo and add strength to a composition.

Game on by Mario Mirabile

Autumn in Melbourne is the best time of the year. The weather tends to be balmy, the winds light and the move toward winter so gentle it's almost unnoticeable. Most importantly of all though, it marks the start of the football season. Australian football is, in my humble and completely unbiased opinion, the greatest game on earth. It doesn't hurt that my team - the Geelong Cats - are going through an era of sustained greatness I never thought I'd live to see. Since 2007, I've seen three premierships, more wins than some teams have experienced in 20 years, and some of the greatest players of the modern era proudly wearing Geelong's hooped jumper.

Today I made my way to the Melbourne Cricket Ground to see Geelong take on our fiercest rival of recent years, the Hawthorn Hawks. Both teams are undefeated four games into the season, so interest is high. Outside the imposing structure that is the G, tribal colors are everywhere, with playful kick-to-kicks giving a taste of what's to come. Gradually the the fans begin streaming into the ground, building to a crowd of more than 80,000.  

At our last meeting, Hawthorn prevailed in a preliminary final and went on to win the premiership the following week (the night shot of the ground is from that night). Today, Geelong won a tough and tightly contested game, typical of recent contests between these two great teams. Hopefully it's a portent of things to come, but it's a long season and anything could happen before we meet again on August 23, and perhaps again in the finals after that. I'm on board for the ride. 

Gone fishing by Mario Mirabile

Most lens designs of any quality attempt to ensure that when you take a photo of a straight line, it comes out straight in the image. A few - mostly expensive single focal length lenses - achieve the goal of having virtually no distortion. It's rare to see this characteristic in wide angle lenses, but some (like my cherished Olympus 7-14mm zoom) even manage to keep distortion to a minimum at ultra-wide angles of view. At the other end of the scale is a class of lens that revels in not playing by the rules - the fisheye.

Fisheye lenses are curious things. They achieve a spectacularly wide 180 degree field of view by not even trying to keep things straight. The resulting distortion can vary from moderate to extreme, depending on the placement of objects within the frame, their distance from the camera and whether or not the camera is held level. The effect can be stunning, comical or downright disturbing. They're not the sort of thing you'd want to take all your pictures with, but used with care, and on the right subjects, they can produce arresting images.

I've never been much of a fan of fisheyes. I've seen too many photos where the rationale for using the lens appeared to be that the photographer had one. I also thought that there was too much cross-over with my 7-14mm ultra-wide. But having recently had the chance to play with one, I can see they provide an interesting perspective and can be a lot of fun. Perhaps I should fish around for one.  

Winter is coming by Mario Mirabile

Yes, the title is a shameless reference to Game of Thrones. I'm hoping it will get me a few more hits in Google. But winter IS coming. It's now mid-autumn in Melbourne, daylight saving has ended and the days are getting shorter and cooler. After a hot, dry summer we've just had our first good rain of the season. Three days of steady, soaking rain to revive our parched gardens and provide a different perspective on photography. 

The timid will retreat inside when it's wet, but rain and soft light just provide a different challenge to be mastered. It's probably wise to take appropriate precautions if your gear isn't weather sealed, but shooting in the rain can be both challenging and rewarding.

Ghosts of the past by Mario Mirabile

Old and abandoned buildings have an endless fascination about them. They are often full of character and intrigue, and they often feel haunted by their past and the ghosts of former residents. The textures, colors and light are so different from the buildings we normally inhabit that these decaying shells often have an eerie other-worldly feel about them.

Wandering through a building in such an advanced state of decrepitude is not without its risks. This old shop - located by the roadside near Castlemaine - was littered with broken glass, pieces of wood with large projecting rusty nails, and what was left of the shingle roof appeared likely to collapse at any moment. However it seemed worth the risks involved to get these shots - the images of the building's exterior are mundane by comparison.

It helped having an ultra-wide lens. My beautiful Olympus 7-14mm zoom is one of my favourite lenses and perfect for this type of task. I took 3 bracketed shots of each of these scenes intending to try creating HDR images, but I was unable to produce one to my liking. I did end up blending two exposures manually for the first image, but the second is a single exposure.

Mist again by Mario Mirabile

Photographers love mist and fog. Potentially drab photos are immediately transformed into moody and atmospheric masterpieces by a bit of suspended water vapour. Unfortunately, it's not something you can just turn on, but if you're in the right place at the right time, the results can be stunning.

The still days of autumn and early winter provide the atmospheric conditions and necessary chill. The best light will be found during the blue hour of early morning and evening (often with the added bonus of sunrise/sunset colours), although night-time can be very good for cityscapes. Mornings are generally better if you can drag yourself out of bed in the pre-dawn chill. You're more likely to find still conditions with less dust haze to mar the beautiful pastel hues the sky takes on as the sun emerges.

That's enough. I'm getting all misty-eyed.

Vroom, vroom by Mario Mirabile

I'm not much of a rev-head. I like the convenience of owning a car, but I get frustrated by the increasing congestion on the roads. I have little time for motor sport and I certainly wouldn't be upset if Melbourne lost its Formula One Grand Prix. I do, however, have a certain fondness for the curvaceous design aesthetic of many 50's European cars.

I'm also not a big fan of high dynamic range photographic processing, a technique which aims to get as much detail as possible in both shadows and highlights. It often produces images which have a cartoonish look with garish and unrealistic colors. I think it can work in stylized images such as these though.

These shots (all from the Fox Classic Car Museum) are not true HDR - that would require several exposures to allow for extremes of shadows and highlights, which are then blended into a single image. These are all single exposures processed using the Detail Extractor pre-set of the Nik Color Efex filter in Photoshop. It produces an HDR-like look which I rather like on these classic beauties.

Face off by Mario Mirabile

It's unusual for a portrait not to show the subject's face. The traditional approach is a full or three quarter view, with the occasional profile thrown in for good measure. Obscuring part or all of the subject's face can be an effective way of emphasizing aspects of a person's features or character.

In the first image, I like the way Ernie's hand seems to lead your attention in toward his eyes. The steely gaze is the main feature of the picture for me. The lack of any visible face in the second makes it almost an abstract study in form. All the attention - both the artist and ours - focuses on his work. The strong vertical highlights of hair and hoodie drawstrings also focus attention on his hands, reminding us this is a man and not just an abstract composition.